Select Chapters and Articles
The Life of Tree: The Tree of Life – Daniel Moreira and Rita Castro Neves, forthcoming in Uma Árvore (A Tree), Stolen Books, July 2025.
Steering Quintas Das Relvas – Beatriz Manteigas and Antonio, Estufa Fria Museum, Lisbon, Portugal, forthcoming 2025.
Artists Invoke Urban Food Security: Nature-Based Solutions When Everything is Possible Nature-Based Solutions Journal – Science Direct. Volume 5, June 2024.
Seeds of Self: Environ-mentality Survey, Seeds: Means for a Sustainable Art Practice, Associacao Quinta das Relvas and Oficinas do Convento (Portugal), Chorus (Greece), Rural Contemporanea (Spain), 2023-2024.
Becoming Glacier: Eco-Housekeeping in the Muckro-Cosm. Earthkeeprs Handbook: Heal the Man. Heal the Land. Ecoartspace, Santa Fe, NM, Greenerprinter, USA, 2023.
Curatorial Flow Patterns Revisited, CSPA Journal (Center for Sustainable Practice in the Arts), 2022.
Work Outs / Tune Ups ? Turn Ons, Eco Art in Action: Activities, Case Studies, and Provocations, New Village Press, New York, 2022.
Hubert Duprat: Les Ecrits Restent 1986 – 2019, Editions MF, Paris, France. 2020.
Deep Time Rapid Time: The Art of Spurse, Grand Arts, St. Louis, MO 2019.
Visionary Eco Art: Next / Now / Past, Eco-Visionaries: Art and Architecture After the Anthropocene, Maat: Museum, Art, Architecture, Technology, 2018.
An Exotic Journey into the Commonplace, Artizein: Arts & Teaching Journal. Special issue: Art/Education/Ecology, 2017.
Dad Art: Linda Mary Montano is Reborn, PAJ: A Journal of Performance and Art (2016) 38 (2 (113)): 21–30. https://doi.org/10.1162/PAJJ_a_00312 2016.
Rimer Cardillo: A Confederation of Attributes – National Museum of Visual Arts of Uruguay. Montevideo, Uruguay, 2018.
Master-Minding the Masters: Joan Miró & David Hammons, Nahmad Contemporary Art, New York, NY, 2018.
Linda Weintraub’s Eye for Activism, Interview with Lynn Woods, Almanac Weekly, Ulster Publishing, August 2018.
Soil Connoisseurship, Field to Palette. Dialogues on Soil and Art in the Anthropocene, 1st Edition Ed. Alexandra Toland, Jay Stratton Noller, Gerd Wessolek. CRC Press, Routledge, 2018.
TransGenesis: From Past to Last Beginnings, Eduardo Kac: Telepresence, Bio Art and Poetry (1980-2010): Networking Humans, Rabbits and Robots, Chicago Video Data Bank, 2018.
Death: An Eco-Centric Interpretation, Icons in Ashes. Embodied Portraits: Memory Is the Only Immortality, Heide Hatry, editor, 2017.
Critiquing the Critique, in The Art of Critique/ Re-imagining Art Criticism and The Art School Critique anthology. ARTium Publishing, Miami, FL, 2017.
Rally ‘Round the Flag of Justice, Artnauts Twentieth Anniversary Exhibition, Redline Contemporary Art Center, Denver, CO. November2016.
More Thoughts About Eco Art, Civiliti Online Journal, Eco Art Academy, 2016. http://www.civiliti.org/copy-of-ecoart-academy
The Art of Critique, Antennae: The Journal of Nature in Visual Culture. Special issue: Art, Environment, Sustainability. Dr. Giovanni Aloi, Editor in Chief. Issue 36, http://www.antennae.org.uk/ Summer 2016.
Bonnie Sherk: Biography and Bibliography, Grove Dictionary of Art / Oxford Art Online. Oxford University Press, 2016.
From the Ridiculous to the Sublime: The Nano Artistry of Victoria Vesna, MORPHONANO: Works by Victoria Vesna: A Decade of Collaboration 2002-2012 With Nanoscientist James Gimzewski, Beal Center for Art and Technology, University of California, Irvine, CA 2016.
Water. Water. Paean to a Vanishing Resource. Touring New Media Exhibition Online. http://waterpoetryprose.wordpress.com/, 2015.
Consecration, Control, Collaboration: Pre to Post Anthropocentric Creativity. Digital Creativity. Special Issue: Arts & Ecology. Editors Lone Malmborg & Julia Sussner. Volume 26, Taylor & Francis Online, 2015.
Linda Weintraub’s Titular Ode to Robert Kelly. Robert Kelly Festschrift, Metambesen Publishers, Barrytown, NY, 2015.
Correspondence Between Linda Weintraub, Robin Lasser and Adrienne Pao: The Dress/Tent Project:
Center for Integrated Media California Institute of the Arts, Viz. Inter-Arts, 2015.
Jason DeCaires Taylor: The Firing and Misfiring of Human Powers, Rising Tide, commission by Totally Thames Festival, London, UK, 2015.
(P)(RE)VIEWS: Eco Art’s Challenge to Art Criticism Anthology, Ecocriticism. Eine Einführung Böhlau Verlag GmbH & Cie, Cologne, Germany, 2015.
Water. Water: Paean to a Vanishing Resource. Touring new-media exhibition. 2015.
Strange Invitation for Digging Deeper, Dirt Dialogues, Edited volume published for the 20th World Congress of Soil Science, Soil Science Society of America. 2014.
The Curious Evolution of Individuality and Community, WEAD – Women’s Environmental Arts Directory Journal, 2014.
Homesick in the Wilderness, OCHOzone, Questa, New Mexico. 2014.
Eco Criticism, Eco Criticism: An Interpretation, Edited by Gabriele Durbeck and Urte Stobbe; UTB Bauhaus Press, Germany, 2015.
Interview with Leyya Tawil, Critical Correspondence, Movement Research online journal,
http://www.movementresearch.org/criticalcorrespondence/blog/?p=9424&utm_source=rss&utm_medium=rss&utm_campaign=leyya-tawil-in-conversation-with-linda-weintraub; October 10, 2014.
The Fall and Rise of Community, WEAD, Women’s Environmental Art Directory, WEAD Journal. https://directory.weadartists.org/fall-rise-community, 2014.
To Life! Eco Art in Pursuit of a Sustainable Planet, excerpt published in the Environment & Society Portal, a project of the Rachel Carson Center for Environment and Society, LMU Munich (University of Munich, Germany) and the Deutsches Museum, Munich, Germany August, 2014.
Gardening as a Subversive Act, The Good Gardener, Nature, Humanity, and the Garden, Black Dog Publishing, Artifice Series, London, 2014.
Jan Harrison – Interview Leonardo Journal on-line, 2013-2014.
Strange Invitation for Digging Deeper, Franklin Street Works, 2013.
To Life! Eco Art in Pursuit of a Sustainable Planet, ISEA2012 Machine Wilderness: Special Media-N edition, v.09 n.03, November 2013.
Tragedy of Wild Waters, WEAD, Women’s Environmental Art Directory, WEAD Journal no.6, November 2013.
Raquel Rabinovich – Chronicles of Time, 2002 and 2013, Emergences, New York, 2013.
Curatorial Flow Patterns: Audience Relationship, Curatorial Authority, Exhibition Dynamics: CSPA Quarterly: Q9: Science/Art, 2012.
Eco Art in Pursuit of a Sustainable Planet, Book excerpt CSPA Quarterly, 2012.
Dear Mother Nature. Catalog essay, Dorsky Museum of Art, State University of New York, New Paltz, NY, 2012.
Contemporary Art in the 21st Century. Performing Arts Journal, Anniversary Issue, Fall, 2011.
The Art of Dying. Re-framing Art Education Beyond the Classroom: Pondering the Enigma of the Outsider. Edited by Alice Wexler. Palgrave Macmillan, St. Martin’s Press, LLC. 2012.
Singing in Animal Tongues, An Inner Journey, PAJ: A Journal of Performance and Art, with podcast interview. 2011.
Tricia Zimic: Defending the Endangered. Tricia Zimic, Essentials Life, State Museum of New Jersey, Trenton, NJ, 2011.
Transgénesis: Desde los primeros a los últimos comienzos published in Eduardo Kac: El creador de seres imposibles, Universidad de Caldas, Manizales, Colombia, Telefonica, Universidad de Manizales in Colombia, Madrid, Spain, 2009.
Remember the Ladies / Nature Nurture, Hudson River Museum & Gallery Guide, August 2010.
A Trans-Spective Retro-Spective: Carolee Schneemann, Dorsky Museum of Art, SUNY New Paltz, NY 2010.
Transgenesis: From Past to Last Beginnings, Eduardo Kac, Espacio: Fundacion Telefonica, Madrid, Spain, 2006.
Raquel Rabinovich, The Dark is the Source of Light, co-author George Quasha with a poem by Charles Stein. Station Hill Arts Press, Contemporary Artists Collection, Barrytown, New York, 1996.
Maximizing Art’s Mark/ Minimizing Art’s Footprint: Eco-Centered Pedagogy for Foundations
Curriculum Fate in Review, p 4-11, Spring 2009.
DEMO ECO MO (DEMOnstrations of ECOlogical Modes of Operation), CSPA Quarterly, Fall 2009.
From the Fat of the Land: Alchemies, Ecologies, Attractions, Grand Arts, Kansas City, MO, 2007.
Mary Anne Davis: Art As a Missionary Act, Dinnerwhere? The Berkshires, p26 – 28, June 2008.
TODT After Next, Fleisher/Ollman /Gallery, Philadelphia, PA, 2007.
Michael Joo’s Circannual Rhythm (piboktok), Other Criteria Journal, 2007.
The Search for an Eco-Friendly Publishing Strategy, The Art Book, August, 2007.
Laura Battle. In Pursuit of Enantiodromia, Lohin Geduld Gallery, New York, NY, 2007.
Mary Anne Davis: Sculpture, Painting, Porcelain. Mark McDonald Gallery, Hudson, NY, 2005.
Alexis Rockman, Grand Arts, Kansas City, Kansas, 2004.
Constructing and Demolishing: Manual to Settle Sediments, collaboration with Marco Maggi, College Art Journal, p85-103, Fall 2003.
An Eco Art Manifesto, co-author Skip Schuckmann, Landscape and Art, p 6 Fall 2003.
St. Orlan: tee-se-itse-pyhimys, Image Magazine, p 56-59, 2001.
Barbara Bachner, Studio D’Ars, Milan, Italy, 2001.
Monthly reviews and feature articles in Tema Celeste Art Journal: Anish Kapoor, Janine Antoni, Not Vital, James Turrell, Gary Hume, Donica Phelps, Donald Lipski, Rirkrit Tiravanija, etc.
Genus Fusion: The Art of Jan Harrison, Arcana Mundi, Station Hill Press, 2001.
Yang Ming-Dye: Leaf by Leaf, Watermark Cargo Gallery, Kingston, NY October 1999.
The Studio Potential of the University Art Gallery, Art Journal, p 37 – 42, Spring, 1999.
Curatorial Statement: The New York State Biennial, New York State Museum, Albany, NY, 1998.
Marco Maggi: Techtonic, 123 Watts Gallery, New York, NY, January, 1998.
The Artist, The Institution, The State, Rockefeller Foundation, Next Generation Leadership Fellowship Program on-line magazine, February, 1999.
The Artist, The Institution, The State , FYI, The New York Foundation for the Arts, Fall, 1998, Vol. 14. No.3.
Blind Windows. Crystal Walls, Raquel Rabinovich: The Dark is the Source of Light, Station Hill Arts, 1996.
The Reincarnation of St. Orlan, Image Magazine, Helsinki, Finland, September 1995.
The Art of Showing Art, Dutchess Magazine, Ray Fashona, October/November 1989.
Symbols of Faith: Menorah, Icon, Prayer Rug. Center for the Arts, Muhlenberg College, 1981.
The Egg Symbol in the Work of Clarence Carter, Center for the Arts, Muhlenberg College, 1978.