Exhibitions Curated
BEYOND DEATH: From Perishing to Flourishing, forthcoming
BENEATH the BARK: Tapping the Life Force of Trees, forthcoming
Composed to Decompose, Wave Hill Gardens & Cultural Center, forthcoming
OUTSIDE IN: Composed to Decompose, co-curated with Michael Asbill, Seligmann Center, Chester, NY, 2021
Outdoors in: Recap the Old Year. Welcome the New Year, co-curated with Michael Asbill, Unison Art Center, New Paltz, NY 2020
WHAT’s NEXT? Composed to Decompose, co-curated with Michael Asbill, Unison Art Center, New Paltz, NY 2019-2020
WHAT’s NEXT? Composed to Decompose, co curated with SUNY New Paltz Sculpture students and Professor Michael Asbill, Unison Art Center, New Paltz, NY, 2018 – 2019.
AESTHETICS of PERSUASION: Graphic Visualization of Entreaties & Warnings by Artists, Graphic Designers, and Neighbors. Woodstock Byrdcliffe Guild, Woodstock, NY, 2018
WHAT’s NEXT? Eco Materialism & Contemporary Art: University of California, Los Angeles with Wenda Gu, Laura Parker, Jiayi Young, Iain Kerr, Vera Wittkowsky, Terence Koh, 2017
RALLY ‘ROUND THE FLAG OF JUSTICE, ARTNAUTS 20th Anniversary Exhibition Redline Gallery, Denver, CO, 2016-2017
Members Exhibitions, Kleinert James Gallery, Woodstock Byrdcliffe Guild, Annual Members exhibitions, 2016, 2017, 2018, 2019, 2020
Hudson Valley Data Jam Expo, Cary Institute of Ecosystem Studies, Millbrook, NY May, 2016
Smaller Footprints: Artists Respond to Climate Change, WEAD, Women’s Eco Art Directory, Museum of Art and History, Lancaster, CA, and Intersectional Gallery, San Francisco, CA 2015
Dear Mother Nature, Dorsky Museum of Art, SUNY New Paltz, NY, 2012
Where Lies Henry Hudson? Byrdcliffe Woodstock Guild, Woodstock, NY, 2009
30 Below: Eco Fashion Runway, Edgewood College, Madison, WI, 2009
Demo Eco M.O. Demonstrations of Ecological Modes of Operation, Nurture Art, Brooklyn, NY, 2008
Teeny Green. Cedar Crest College, Allentown, Pa, 2008
Animal. Animal. Animus. Co-curated with Marketa Sepala, Pori Museum of Art, Pori, Finland; Toronto Museum of Art, Toronto, Canada; P.S. 1, Long Island City, NY; Arnhem Museum, Holland; Winnipeg Art Museum, Canada; P.S. 1, New York, 1998-1999
IS IT ART?, touring exhibition through Exhibitions Management, 1995 – 1997
Preserving the Past: Latin-American, African-American, and European-American Printmakers of the 1930s, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992
Being Discovered: The Spanish Conquest from the Amer-Indian Point of View: Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992
Alejandro Mario Yllanes. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992
The Odyssey and Ancient Art, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992
Sixties Graphics: Culture and Counter-Culture, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1991
The Transparent Thread: Asian Philosophy in recenter American Art, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY 1991
Censored in 1962. Celebrated in 1991. Eli Bielutin and the New Russian Avant-Garde, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1991
Art What Thou Eat: Images of Food in American Art. Contributors: Donna Gustafson, Gilbert T. Vincent, Kendall Taylor, Nan A. Rothschild. Published by Moyer Bell and distributed by Rizzoli Publishers. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to New York Historical Society, 1990
A Connoisseur’s Quest: Integrating New Discoveries into the Annals of Art History,. Gallery guide with numerous contributors. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990
Buckminster Fuller: Harmonizing Nature, Humanity, and Technology. Toured to the Bass Museum. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990
Lo and Behold: Visionary Art in the Post-Modern Era, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990
Parade of Prints From West to East, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to Kanazawa College, Kanazawa. Japan, 1990
Parade of Crafts from East to West, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990
Along the Garden Path: Fantasy Gardens in the Industrial Landscape, Delaware Center for Contemporary Art, Wilmington, DE, 1990
Isabel Bishop: Chasing the Shadows of the Times: The Drawings of Isabel Bishop and her Colleagues. Co-curators Helen Yglesias and John Russell. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1989
My American Folk, Co-curator Howard Rose. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1989
The Complete Graphic Legacy of Fernand Leger, Co-curator Daniel Robbins. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1989
Process and Product: The Making of Eight Contemporary Masterworks, Co-curator Donald Kuspit. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1988. Winner of 1988 American Association of Museums Design Award.
British Pop Prints. Toured to Kanazawa College, Japan. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1987
Charmed Places: Hudson River Artists: Their Houses, Studios, and Vista. Co-curators Sandra S Phillips, Len Jenshel. Bard College, Annandale-on-Hudson, NY, 1987
Pre-Modern Art of Vienna: 1848-1898. Co-curator Leon Botstein. Contributors: Carl E. Schorske, John W. Boyer, Anton Pelinka, Wolfgang Greisenegger, Dietmar Goltschnigg, Jan E. Adlmann, Leon Botstein, Alessandra Comini, Erika Esau. Toured to IBM Gallery, New York and Hope College, Michigan. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1987
Out of the Oooo Cloud: Artists Salute the Return of Halley’s Comet, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1987
Arctic Vision: Art of the Canadian Inuit. The Alaskan Eskimo, The Greenlandic Eskimo, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986
The History of Arctic Photography, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986
Herakles / Hercules: Passage of the Hero Through 1000 Years of Classical Art. Co-curator: Jamie Uhlenbrock. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986
The Graphic Legacy of Paul Klee,. Author, Jim Jordan. Exhibition catalogue. Co-curator: Jim Jordan. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. 1986
Neo-Neo-Classicism, Co-curator: Deborah Drier. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986
The Maximal Implications of the Minimal Line, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1985
Byrdcliffe: Life by Design. Woodstock’s Original Craft Arts Colony, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Co-curated with Robert Edwards. Toured to the Albany Institute of Art and Design and the Delaware Art Museum, 1985
The Maximal Implications of the Minimal Line. Co- curators Donald Kuspit and Phyllis Tuchman. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1985
Archipenko: Drawings, Reliefs, and Constructions, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1985
Thomas Hart Benton: Chronicler of America’s Folk Heritage. Co-curators Matthew Baigell, Archie Green, Alan Buechner. Toured to Bucknell University, Queens Museum, Hudson River Museum. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984
Joan Miro: a toute epreuve, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984
LandMarks: New Site Proposals by 22 Pioneers of Environmental Art. Authors: Lawrence Alloway, Erik Kiveat, Daniel Simberloff, Shelley Rice. Toured to Cranbrook Academy. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984
In Search of the Picturesque: Nineteenth Century Images of Industry Along the Hudson, Bard College, Annandale-on-Hudson, NY 1984
Land-Marks: New Site Proposals by 22 Pioneers of Environmental Art, Bard College, Annandale-on-Hudson, NY, 1984
Art as Social Conscience, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984
Alice Neel, Works from the 20s, 30s, 40s, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984
Painter-Photographers: The 1930S, the 35mm Camera, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to the Norton Gallery, West Palm Beach, Fl, 1983
Alice Neel: Premiering Works From the 20s, 30s, 40s, and 50s, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY Toured to Grimaldas Gallery, Boston, MA, 1983
In Search of the Picturesque: 19th Century Images of Industry Along the Hudson River, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1983
Aspects of Perception: Art & Cognitive Science, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY 1983
Yasuo Kuniyoshi, Painter Photographers of the 1930s. Co-curators: Tom Wolf and Franklin Reihlman. Toured to Norton Gallery, West Palm Beach, Fl. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1983
In Search of the Picturesque: Nineteenth Century Images of Industry Along the Hudson. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Co-curator: Kenneth Maddox. Toured to the Hudson River Museum and the Albany Institute of History and Art, 1983
Ornament and Glory: Theme and Theory in the Works of Karl Knaths. Co-curators: Jim and Jean Young. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1982
The Rebounding Surface: A Study of Reflection, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1982.
Interpretations of Reality: Photographs of the North American Indian, 1870-1930. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to Muhlenberg College, 1982
Out of the OOO Cloud: Artists Salute the Return of Haley’s Comet. Co-curated with Aymon deSalles. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to Light Gallery, New York, 1982
Can You Spare a Dime? Art of the WPA Era, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981
Can You Spare a Dime? Art of the WPA Era, Authors: Karel Yasko, John Malsberger, Mary Ryan. Philip Johnson Center for the Arts, Muhlenberg College, 1981
Dan Graham: Pavilion Sculpture, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981
Art in Pursuit of a Smile, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981
An Enrichment of American Culture: Russian Emigres/ American Immigres, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981
Women Look at Women: Feminist Art for the 80s, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981
Vito Acconci: The Artist is the Anthropologist of His Own Universe, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1980
The Renaissance: Enduring Splendor, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1980
Masks: Revelations and Disguises, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1980
Radical Realism, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, , 1980
Islam, Judaism, Christianity: Prayer Rug, Menorah, Icon, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1979. Toured to Explorer’s Hall, Washington, D.C.