From Sun Dials to Robots
Amy Franceschini applies her knowledge of sophisticated technologies to undermine contrasting relationships between humans and the technologies we have devised. On the one hand she nullifies the possibility that as humans become increasingly dependent upon them, these technologies will become our masters instead of our servants, entities to be feared instead of exploited. 
"Photosynthesis Robot", for example, is a real, functioning robot. However, instead of asserting its independence, Franceschini focuses on the robot's reliance on human tending for its survival. Despite the fact that the robot even generates its own energy by conducting photosynthesis, it is totally dependent upon humans to provide its requirements for 'survival': water, light, and space. The duty this robot is designed to perform fulfills the most utopian vision of robotic service. This one conducts a chore that is described as oppressive and dangerous, but benefits both society and the environment. It chases after SUV's capturing CO2 emissions! Thus, this robot's capabilities will not threaten human supremacy and control.
Franceschini explains, “This piece was made at a time where I was a bit disheartened by “New Media” works. Rather than a “Why the Future Doesn’t Need Us” robot take over, I proposed a nature take over – or a way of working with nature rather than trying to mimic it or replace it. The larger question this points to is the perceived separation between humans and nature. This piece is about that paradox. It fits into a larger thematic in my work in terms of a concern about our role as humans within the greater body of the nature we are part of. Much of my work is about balance. In the case of Photosynthesis Robot, it is dependant on several variables in order to propel itself forward. Who will provide for it to move about and do its business?”
In a similar vein, “Sundial Watch” (2004) merges the sundial, a 3,000 year old invention, with contemporary gadgetry that indicates the time. High tech versions are totally independent of such natural markers of time as the sun, and such individualized readings as the person’s position on the globe. In this isntance, wearers are dependent upon natural daylight and they are required orient themselves to the north in order to get a reading of the minutes and hours. Franceschini domments, “Sundial Watch… was a sort of “Luddite” approach to New Media art. At the time I made this piece I was comparing the idea of digital devices to one’s own devices. How do you tell time without a watch that depends on batteries and mechanics? In SDW, one must collaborate with the gadget, in that, you must know where North is in order for the correct time to display itself upon the face of the watch. I guess in terms of informing how we perceive today’s high tech gear, I would hope it would serve as an anchor, such that it would make people think about how dependant on technology (we have become).”