Exhibitions Curated

BEYOND DEATH: From Perishing to Flourishing, forthcoming

BENEATH the BARK: Tapping the Life Force of Trees, forthcoming

Composed to Decompose, Wave Hill Gardens & Cultural Center, forthcoming

OUTSIDE IN: Composed to Decompose, co-curated with Michael Asbill, Seligmann Center, Chester, NY, 2021

Outdoors in: Recap the Old Year. Welcome the New Year, co-curated with Michael Asbill, Unison Art Center, New Paltz, NY 2020

WHAT’s NEXT? Composed to Decompose, co-curated with Michael Asbill, Unison Art Center, New Paltz, NY 2019-2020

WHAT’s NEXT? Composed to Decompose, co curated with SUNY New Paltz Sculpture students and Professor Michael Asbill, Unison Art Center, New Paltz, NY, 2018 – 2019.

AESTHETICS of PERSUASION: Graphic Visualization of Entreaties & Warnings by Artists, Graphic Designers, and Neighbors. Woodstock Byrdcliffe Guild, Woodstock, NY, 2018

WHAT’s NEXT? Eco Materialism & Contemporary Art: University of California, Los Angeles with Wenda Gu, Laura Parker, Jiayi Young, Iain Kerr, Vera Wittkowsky, Terence Koh, 2017

RALLY ‘ROUND THE FLAG OF JUSTICE, ARTNAUTS 20th Anniversary Exhibition Redline Gallery, Denver, CO, 2016-2017

Members Exhibitions, Kleinert James Gallery, Woodstock Byrdcliffe Guild, Annual Members exhibitions, 2016, 2017, 2018, 2019, 2020

Hudson Valley Data Jam Expo, Cary Institute of Ecosystem Studies, Millbrook, NY May, 2016

Smaller Footprints: Artists Respond to Climate Change, WEAD, Women’s Eco Art Directory, Museum of Art and History, Lancaster, CA, and Intersectional Gallery, San Francisco, CA 2015

Dear Mother Nature, Dorsky Museum of Art, SUNY New Paltz, NY, 2012

Where Lies Henry Hudson? Byrdcliffe Woodstock Guild, Woodstock, NY, 2009

30 Below: Eco Fashion Runway, Edgewood College, Madison, WI, 2009

Demo Eco M.O. Demonstrations of Ecological Modes of Operation, Nurture Art, Brooklyn, NY, 2008

Teeny Green. Cedar Crest College, Allentown, Pa, 2008

Animal. Animal. Animus. Co-curated with Marketa Sepala, Pori Museum of Art, Pori, Finland; Toronto Museum of Art, Toronto, Canada; P.S. 1, Long Island City, NY; Arnhem Museum, Holland; Winnipeg Art Museum, Canada; P.S. 1, New York, 1998-1999

IS IT ART?, touring exhibition through Exhibitions Management, 1995 – 1997

Preserving the Past: Latin-American, African-American, and European-American Printmakers of the 1930s, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992

Being Discovered: The Spanish Conquest from the Amer-Indian Point of View: Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992

Alejandro Mario Yllanes. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992

The Odyssey and Ancient Art, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1992

Sixties Graphics: Culture and Counter-Culture, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1991

The Transparent Thread: Asian Philosophy in recenter American Art, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY 1991

Censored in 1962. Celebrated in 1991. Eli Bielutin and the New Russian Avant-Garde, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1991

Art What Thou Eat: Images of Food in American Art. Contributors: Donna Gustafson, Gilbert T. Vincent, Kendall Taylor, Nan A. Rothschild. Published by Moyer Bell and distributed by Rizzoli Publishers. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to New York Historical Society, 1990

A Connoisseur’s Quest: Integrating New Discoveries into the Annals of Art History,. Gallery guide with numerous contributors. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990

Buckminster Fuller: Harmonizing Nature, Humanity, and Technology. Toured to the Bass Museum. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990

Lo and Behold: Visionary Art in the Post-Modern Era, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990

Parade of Prints From West to East, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to Kanazawa College, Kanazawa. Japan, 1990

Parade of Crafts from East to West, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1990

Along the Garden Path: Fantasy Gardens in the Industrial Landscape, Delaware Center for Contemporary Art, Wilmington, DE, 1990

Isabel Bishop: Chasing the Shadows of the Times: The Drawings of Isabel Bishop and her Colleagues. Co-curators Helen Yglesias and John Russell. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1989

My American Folk, Co-curator Howard Rose. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1989

The Complete Graphic Legacy of Fernand Leger, Co-curator Daniel Robbins. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1989

Process and Product: The Making of Eight Contemporary Masterworks, Co-curator Donald Kuspit. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1988. Winner of 1988 American Association of Museums Design Award.

British Pop Prints. Toured to Kanazawa College, Japan. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1987

Charmed Places: Hudson River Artists: Their Houses, Studios, and Vista. Co-curators Sandra S Phillips, Len Jenshel. Bard College, Annandale-on-Hudson, NY, 1987

Pre-Modern Art of Vienna: 1848-1898. Co-curator Leon Botstein. Contributors: Carl E. Schorske, John W. Boyer, Anton Pelinka, Wolfgang Greisenegger, Dietmar Goltschnigg, Jan E. Adlmann, Leon Botstein, Alessandra Comini, Erika Esau. Toured to IBM Gallery, New York and Hope College, Michigan. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1987

Out of the Oooo Cloud: Artists Salute the Return of Halley’s Comet, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1987

Arctic Vision: Art of the Canadian Inuit. The Alaskan Eskimo, The Greenlandic Eskimo, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986

The History of Arctic Photography, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986

Herakles / Hercules: Passage of the Hero Through 1000 Years of Classical Art. Co-curator: Jamie Uhlenbrock. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986

The Graphic Legacy of Paul Klee,. Author, Jim Jordan. Exhibition catalogue. Co-curator: Jim Jordan. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. 1986

Neo-Neo-Classicism, Co-curator: Deborah Drier. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1986

The Maximal Implications of the Minimal Line, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1985

Byrdcliffe: Life by Design. Woodstock’s Original Craft Arts Colony, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Co-curated with Robert Edwards. Toured to the Albany Institute of Art and Design and the Delaware Art Museum, 1985

The Maximal Implications of the Minimal Line. Co- curators Donald Kuspit and Phyllis Tuchman. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1985

Archipenko: Drawings, Reliefs, and Constructions, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1985

Thomas Hart Benton: Chronicler of America’s Folk Heritage. Co-curators Matthew Baigell, Archie Green, Alan Buechner. Toured to Bucknell University, Queens Museum, Hudson River Museum. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984

Joan Miro: a toute epreuve, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984

LandMarks: New Site Proposals by 22 Pioneers of Environmental Art. Authors: Lawrence Alloway, Erik Kiveat, Daniel Simberloff, Shelley Rice. Toured to Cranbrook Academy. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984

In Search of the Picturesque: Nineteenth Century Images of Industry Along the Hudson, Bard College, Annandale-on-Hudson, NY 1984

Land-Marks: New Site Proposals by 22 Pioneers of Environmental Art, Bard College, Annandale-on-Hudson, NY, 1984

Art as Social Conscience, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984

Alice Neel, Works from the 20s, 30s, 40s, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1984

Painter-Photographers: The 1930S, the 35mm Camera, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to the Norton Gallery, West Palm Beach, Fl, 1983

Alice Neel: Premiering Works From the 20s, 30s, 40s, and 50s, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY Toured to Grimaldas Gallery, Boston, MA, 1983

In Search of the Picturesque: 19th Century Images of Industry Along the Hudson River, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1983

Aspects of Perception: Art & Cognitive Science, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY 1983

Yasuo Kuniyoshi, Painter Photographers of the 1930s. Co-curators: Tom Wolf and Franklin Reihlman. Toured to Norton Gallery, West Palm Beach, Fl. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1983

In Search of the Picturesque: Nineteenth Century Images of Industry Along the Hudson. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Co-curator: Kenneth Maddox. Toured to the Hudson River Museum and the Albany Institute of History and Art, 1983

Ornament and Glory: Theme and Theory in the Works of Karl Knaths. Co-curators: Jim and Jean Young. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1982

The Rebounding Surface: A Study of Reflection, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY, 1982.

Interpretations of Reality: Photographs of the North American Indian, 1870-1930. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to Muhlenberg College, 1982

Out of the OOO Cloud: Artists Salute the Return of Haley’s Comet. Co-curated with Aymon deSalles. Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY. Toured to Light Gallery, New York, 1982

Can You Spare a Dime? Art of the WPA Era, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981

Can You Spare a Dime? Art of the WPA Era, Authors: Karel Yasko, John Malsberger, Mary Ryan. Philip Johnson Center for the Arts, Muhlenberg College, 1981

Dan Graham: Pavilion Sculpture, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981

Art in Pursuit of a Smile, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981

An Enrichment of American Culture: Russian Emigres/ American Immigres, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981

Women Look at Women: Feminist Art for the 80s, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1981

Vito Acconci: The Artist is the Anthropologist of His Own Universe, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1980

The Renaissance: Enduring Splendor, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1980

Masks: Revelations and Disguises, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1980

Radical Realism, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, , 1980

Islam, Judaism, Christianity: Prayer Rug, Menorah, Icon, Philip Johnson Center for the Arts, Muhlenberg College, Allentown, Pa, 1979. Toured to Explorer’s Hall, Washington, D.C.