Introduction: Didacticism has been embraced by eco artists with the passion of past artists who adopted Romanticism or Impressionism. Unlike these historic approaches, the new Didacticism is ideally suited to documenting the severity of environmental conditions, exposing the perpetrators of environmental offenses, or transmitting strategies to resolve them. While utopia may not appear on didactic agendas, striving for improvement does. Toward this end such artists offer statistical evidence, or strategic designs, or tactical interventions to benefit ecosystems and their diverse populations. Such tasks are not suited to soulful explorations (Romanticism) or spontaneous observations (Impressionism). They require rigorous research.
In early 2012 Superflux developed the concept for a project that epitomizes these characteristics of didactic eco art. "The Internet of Things Academy" (IoTA) is part of Sony’s Futurescapes project. SUPERFLEX is collaborating with the Forum for the Future to facilitate the generation and exchange of new information. The artists explain the unique feature of this initiative, "Much as different plug sockets or memory cards can make life difficult, a wide range of proprietary 'makes' of hardware and software are often an obstacle to creativity. We envisaged IoTA as an updating of the 20th-century telephone switchboard, enabling end-users to link different products and components, creating systems that better suit their needs."
The project will accommodate different types of users – from those with no experience to advanced 'hackers'.
The artists explain, "As part of our design process, we are conducting a series of iterative tests and small-scale experiments, to understand how various users will use the site. ...As the user starts a new project, and adds information about what they want to make / build, we are exploring ways in which it might be possible/useful to nudge them to think about not just what they want to build, but why they want to do it, and what change will result from that project."
To Life! Eco Art in Pursuit of a Sustainable Planet documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farm’s anti-consumer antics in the 1970s to Marina Zurkow’s 2007 animation that anticipates the havoc wreaked upon the planet by global warming. This text is the first international survey of twentieth and twenty-first-century artists who are transforming the global challenges facing humanity and the Earth’s diverse living systems. Their pioneering explorations are situated at today’s cultural, scientific, economic, spiritual, and ethical frontiers. The text guides students of art, design, environmental studies, and interdisciplinary studies to integrate environmental awareness, responsibility, and activism into their professional and personal lives.
To Life! website »